Glitch Feminism: A Manifesto

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Davis, Ben (28 September 2020). " 'I Say Tear It All Down': Curator Legacy Russell on How 'Glitch Feminism' Can Be a Tool to Radically Reimagine the World". Artnet . Retrieved 22 August 2021. In 2019, The Carl & Marilynn Thoma Art Foundation awarded Russell the Arts Writing Award in Digital Arts, which offers awardees a spot in the Rauschenberg Residency fellowship. [8] How do we break what is broken? This is a question that has obviously come to the surface for so many people in the last few months. I think it’s an important question to interrogate, to think through what models of “success” are in a culture that continues to center supremacy and enact social and physical death unto those who don’t “fit.” Damiani, Jesse. "On Embodying The Ecstatic And Catastrophic Error Of Glitch Feminism: Book Review". Forbes . Retrieved 2021-01-11.

Gugliotta, Bobette (1971). Nolle Smith: Cowboy, Engineer, Statesman. Dodd, Mead. ISBN 9780396063902. This is where I think it’s useful to talk about the personal again. In the early days of grad school, when I was getting my MRes at Goldsmiths or even during my undergraduate study, I’d present papers and research and end up on stage with folks who were absolutely brilliant but really narrow in terms of their understanding of Cyberfeminist history. Legacy Russell doesn’t do things IRL. Throughout her writing, you’ll find instead the term “AFK” (Away From Keyboard). Legacy Russell named Executive Director of the Kitchen". Artforum. 8 June 2021 . Retrieved 22 August 2021. Russell worked at the online platform Artsy, expanding the company's gallery relations across Europe. [10] She has worked at The Metropolitan Museum of Art, The Whitney Museum of Art, the Brooklyn Museum, and CREATIVE TIME. [ citation needed] She is a contributing editor at BOMB Magazine. [10] Writing edit

You connect it to the earlier moment of ’90s Cyberfeminism. How do you consider what you’re doing as developing or correcting that tradition? I’ll be completely frank with you: recent events have been staggering. I wouldn’t have wished these events on the world. But I also think it could not be a better time to be talking about some of these questions, given everything that’s going on.

a b Mitter, Siddhartha (8 June 2021). "Legacy Russell Is Named Next Leader of the Kitchen". The New York Times . Retrieved 22 August 2021.Russell, Legacy. "Prayer? Or Practice? Social Shrines and the Ritualized Performance of Reality in Contemporary Art". Academia.edu. a b "Legacy Russell wins 2019 Arts Writing Award in Digital Arts". Contemporary And (in German) . Retrieved 2020-06-17. Aspects of the world have been changing so fast that it was hard at points to think about what needed to be pinned down and what needed to be allowed to change as the world changed. To me, the constants were the artists and the artwork that I discuss. They allow for certain types of constant engagement, that can be set against these broader world events.